[БЧ035] ПУСТАЯ ВОЛНА, by ПУСТАЯ ВОЛНА

[БЧ035] ПУСТАЯ ВОЛНА

by ПУСТАЯ ВОЛНА

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Full Digital Discography

37

releases

Get all 37 БЕГУЩИЙ ЧЕЛОВЕК releases available on Bandcamp and save 50%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of [БЧ037] JERICHO TRUMPET -- axis engineering, [БЧ036] FORM -- russkaya skazka, [БЧ035] ПУСТАЯ ВОЛНА, [БЧ034] HAZ J -- смешанные отходы, [БЧ033] II:II -- the cascade resonance, [БЧ032] UNDO TRIBE -- acceptor / expenditure, [БЧ031] IATEMYSELF -- memology for the poor, [БЧ030] WHITE NINJA -- biáng.svg, and 29 more. , and , .

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1.	интро 00:38	buy track
2.	пустая волна 1 00:30	buy track
3.	пустая волна 2 01:34	buy track
4.	пустая волна 3 01:36	buy track
5.	пустая волна 4 01:36	buy track
6.	код 112 00:59	buy track
7.	пустая волна 5 03:17	buy track
8.	пустая волна 6 00:39	buy track
9.	пустая волна 7 01:18	buy track
10.	пустая волна 8 04:17	buy track
11.	звуковой объект 1 00:33	buy track
12.	пустая волна 9 03:08	buy track
13.	пустая волна 10 02:22	buy track
14.	звуковой объект 2 01:22	buy track
15.	звуковой объект 3 03:19	buy track
16.	пустая волна 11 01:56	buy track
17.	пустая волна 12 03:16	buy track
18.	аутро 00:27	buy track

about

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noisenotmusic.com/2021/07/28/review-пустая-волна-пустая-волна-бегущий-ч

Like fellow dial-twiddler and object-botherer Daniel J. Gregory’s album Heard Under Orphan Eyelid, Пустая Волна’s self-titled debut tape (the name, appropriately, translates to “Empty Wave”) feels simultaneously active and passive, participatory in the most understated and innocuous of ways, small but noticeable kinks injected into apathetic everyday occurrences. “Пустая Волна,” the eponymous multi-part piece that comprises the majority of the release, is an extended radio improvisation that feels densely physical, as if we’re placed inside the car or small room in which the dead air and garbled voices are actually located. Interludes such as “Код 112” provide spatial and textural diversity between the successive segments, turning the lens toward wider public areas and hints at more sweeping expanses before diving back into the static-soaked sarcophagus. Parts five through eight may be the strongest slice of the extended centerpiece track, each individual fraction uniquely illustrating the amazing, diverse sublimities that can be coaxed from such a simple process: empty frequencies hypnotize ghost-tones and other hallucinations into unsuspecting heads, a motorcycle ignition is briefly fiddled with, and just about all of language itself breaks down, all within the confines of the aforementioned vessel, the identity of which likely to remain unknown. The “Звуковой Объект” (“Sound Object”) series brings further complexity to the table, and it’s the first section that provides the most enduring contextual basis for the whole release: Пустая Волна, whomever they are, is both portable recorder–toting field recordist and active musician, creating their own self-contained, imperfect environments that tightly focus even the most inconsequential of sonorities, whether they are produced, observed, or both.